Adobe After Effects has a huge user base in the motion graphics and animation sectors, so any update to the power of this venerable compositing workhorse will be eagerly scrutinised by those working in broadcast and cross-media applications. Luckily for those artists (and Adobe), After Effects CS6 will do nothing to tarnish its status and appeal.
Another highly useful tool is the new 3D camera tracker. As the name suggests, this builds a virtual 3D camera within a piece of imported footage, automatically determining the movements of the camera in the original footage and its relationship to the planes in the scene. It's thus much quicker than previous versions to place new 3D layers in your scene more faithfully in your scene.
After Effects CS6 also ships with over 80 new and updated built-in effects, including the HD version of the Cycore FX suite. All of these now support 16-bit per channel colour, rather than the 8-bit versions of before, and thus ideal for HD video projects. 35 of the Cycore effects and many of the standard Adobe effects such as Drop Shadow and Timewarp also now support 32-bit floating point for maximum dynamic range - essential for compositing with footage such as ARRIRAW from ARRIFLEX D-21 or ALEXA digital cameras- now supported in After Effects CS6. Another benefit for the broadcast sector is wider support for Colour Lookup Tables (LUTs) for grading purposes.
'Rolling shutter' artefacts, where lines are unnaturally skewed, have become increasingly common in modern video editing. They're found in hand-held footage shot with CMOS sensors in video-capable DSLRs, such as the Canon MKII, but worse with mobile phone footage. To the rescue, somewhat, comes the new Rolling Shutter Repair effect. When applied to affected footage it will identify problem areas and let you adjust the Rolling shutter rate to remove the skew.
Accurate Tracking in After Effects CS6
Another highly useful tool is the new 3D camera tracker. As the name suggests, this builds a virtual 3D camera within a piece of imported footage, automatically determining the movements of the camera in the original footage and its relationship to the planes in the scene. It's thus much quicker than previous versions to place new 3D layers in your scene more faithfully in your scene.
80 New Effects To Choose From
After Effects CS6 also ships with over 80 new and updated built-in effects, including the HD version of the Cycore FX suite. All of these now support 16-bit per channel colour, rather than the 8-bit versions of before, and thus ideal for HD video projects. 35 of the Cycore effects and many of the standard Adobe effects such as Drop Shadow and Timewarp also now support 32-bit floating point for maximum dynamic range - essential for compositing with footage such as ARRIRAW from ARRIFLEX D-21 or ALEXA digital cameras- now supported in After Effects CS6. Another benefit for the broadcast sector is wider support for Colour Lookup Tables (LUTs) for grading purposes.
Ditch artefacts in After Effects CS6
'Rolling shutter' artefacts, where lines are unnaturally skewed, have become increasingly common in modern video editing. They're found in hand-held footage shot with CMOS sensors in video-capable DSLRs, such as the Canon MKII, but worse with mobile phone footage. To the rescue, somewhat, comes the new Rolling Shutter Repair effect. When applied to affected footage it will identify problem areas and let you adjust the Rolling shutter rate to remove the skew.
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