Those looking for the much-heralded Deblur filter will be disappointed: it's far too early for inclusion this time around. In fact, those looking for big splashy show-off features in Photoshop CS6 will also be looking in vain.
The first thing you notice about Photoshop CS6 is its new interface. You now have the choice between four base colours, from near-black to pale grey - so Photoshop can look more like Lightroom if you choose. Everything has been subtly tweaked, from the hundreds of redesigned icons (the Pen and Lasso tools now indicate their active hotspots more clearly) to a crisper, more consistent layout.
There's just one new tool in Photoshop CS6, the Content-Aware Patch tool, which takes the technology introduced in CS4 (Content-Aware Scaling) and CS5 (Content-Aware Fill) and extends it to a tool that allows us to select and move or extend objects in a scene, patching their original location more or less seamlessly. In practice, the results depend very much on having the right image; it's a great idea, but doesn't always come up with the goods.
Also good for photographers is the enhanced Camera Raw dialog, which now has more powerful versions of tools such as Clarity (there's now no halo effect, even at maximum strength) antd Defringing (the controls are gone, replaced by a single checkbox which just does the job). For the first time in Photoshop CS6, it's also possible to apply localised noise reduction.
The New Features
The first thing you notice about Photoshop CS6 is its new interface. You now have the choice between four base colours, from near-black to pale grey - so Photoshop can look more like Lightroom if you choose. Everything has been subtly tweaked, from the hundreds of redesigned icons (the Pen and Lasso tools now indicate their active hotspots more clearly) to a crisper, more consistent layout.
Photoshop CS6 Filters
There's just one new tool in Photoshop CS6, the Content-Aware Patch tool, which takes the technology introduced in CS4 (Content-Aware Scaling) and CS5 (Content-Aware Fill) and extends it to a tool that allows us to select and move or extend objects in a scene, patching their original location more or less seamlessly. In practice, the results depend very much on having the right image; it's a great idea, but doesn't always come up with the goods.
Enhanced Camera Raw
Also good for photographers is the enhanced Camera Raw dialog, which now has more powerful versions of tools such as Clarity (there's now no halo effect, even at maximum strength) antd Defringing (the controls are gone, replaced by a single checkbox which just does the job). For the first time in Photoshop CS6, it's also possible to apply localised noise reduction.
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